STUDIOS 301 SYDNEY
Studios 301 has welcomed a multitude of clients for more than 80 years. Catering to all aspects of the music industry from major and independent record labels and recording artists to film soundtracks, bands, solo artists, orchestras, choirs, opera singers and DJ’s, Studios 301 offers the diversity of recording and mixing spaces to suit all music genres and artists.
Snoop Dogg
Jay-Z
Kanye West
Will Smith
Jimmy Barnes
Russell Crowe
Hugh Jackman
Decoder Ring
End of Fashion
Delta Goodrem
Missy Higgins
The Black Eyed Peas
Midnight Oil
Powderfinger
Silverchair
McFly
Youth Group
The Sex Pistols
Metallica
Regurgitator
Natalie Imbruglia
The Dissociatives
Little Birdie
Grinspoon
Jay-Z
Kanye West
Will Smith
Jimmy Barnes
Russell Crowe
Hugh Jackman
Decoder Ring
End of Fashion
Delta Goodrem
Missy Higgins
The Black Eyed Peas
Midnight Oil
Powderfinger
Silverchair
McFly
Youth Group
The Sex Pistols
Metallica
Regurgitator
Natalie Imbruglia
The Dissociatives
Little Birdie
Grinspoon
Jebediah
INXS
Duran Duran
Cold Chisel
Anthony Warlow
Lee Kernaghan
You Am I
Bob Dylan
Stevie Nicks
Kiss
Harry Connick Jnr
Rose Tattoo
Paul Mac
The Vines
Evermore
Josh Pyke
Kasey Chambers
The Necks
Danielle Spencer
David Campbell
Eskimo Joe
RZA
Chris Brown
Cassette Kids
Australian Idol
Philadelphia Grand Jury
Lady Gaga
Delta Goodrem
Powderfinger
Ernist Ellis
Van She
INXS
Duran Duran
Cold Chisel
Anthony Warlow
Lee Kernaghan
You Am I
Bob Dylan
Stevie Nicks
Kiss
Harry Connick Jnr
Rose Tattoo
Paul Mac
The Vines
Evermore
Josh Pyke
Kasey Chambers
The Necks
Danielle Spencer
David Campbell
Eskimo Joe
RZA
Chris Brown
Cassette Kids
Australian Idol
Philadelphia Grand Jury
Lady Gaga
Delta Goodrem
Powderfinger
Ernist Ellis
Van She
For the recording of album Radio:ACTIVE, UK Producer Jason Perry and UK band McFly moved into Studio 301 in Sydney, swapping between Studio One with its 72-channel Neve 88R and sizeable 3000-square-foot live room and the more compact Studio Two with its 72-channel SSL K-series console."We used every mic in the whole studio, because we had two kits on the go in the different rooms," Perry says. "You've got the big room where they do orchestras so we used that for the big DW kit sound. Then there's a smaller room where we had an old '60s Ludwig kit set up and loads of snares."
"It had the best vibe of any studio we've ever been in," McFly's Poynter reckons. "The staff were super-friendly, we hung out with them, and there's a nice courtyard to watch the sun going down."
Excerpts from Sound On Sound Magazine article, October 2008
"It had the best vibe of any studio we've ever been in," McFly's Poynter reckons. "The staff were super-friendly, we hung out with them, and there's a nice courtyard to watch the sun going down."
Excerpts from Sound On Sound Magazine article, October 2008
From Left to right:
1. Producer Jason Perry (right) at the Neve 88R desk in Sydney's Studio 301 with singer/guitarist/pianist Tom Fletcher.
2. Tom Fletcher (left) goes for a guitar take, with a watchful Jason Perry at the controls.
3. McFly's Dougie Poynter (left), Danny Jones and Harry Judd (right) ponder a difficult question during the recording of Radio:ACTIVE.
From Left to right:
1. Kanye West in “Studio One”
2. Snoop Dogg in “The Mezzanine”
3. Angry Anderson (Rose Tattoo) in “Studio One”
Film credits
‘Happy Feet ’- MIxing
Composer John Powell. Engineered by Shawn Murphy.‘The Crocodile Hunter: Collision Course’
Composer Mark McDuff. Additional music Composer Peter Kaldor. Conductor Christopher Gordon. Orchestrations by Christopher Gordon and Nerida Tyson-Chew. Engineered by Christo Curtis. Contracted by Hartl Music.‘George of the Jungle II’
Composer J.A.C. Redford. Engineered by Michael Letho. Contracted by Hartl Music.‘Inspector Gadget II’,
Composer Chris Hajian. Engineered by Michael Letho. Contracted by Hartl Music.‘The Nugget’- Mixing
Composer Nigel Westlake. Engineered by Christo Curtis.‘Moulin Rouge’
Composers Craig Armstrong and Marius de Vries. Engineering by Richard Lush and Christo Curtis. Contracted by Hartl Music.'The Extra'
Composer Roger Mason. Engineered by Christo Curtis. Contracted by Hartl Music.'Anacondas: The Hunt for the Blood Orchid'
Composer Nerida Tyson-Chew. Engineered by Christo Curtis. Contracted by Hartl Music.‘The Bank’
Composer Alan John. Engineered by Richard Lush.‘Like Minds’
Composer Carlo Giacco. Engineered by Christo Curtis. Contracted by Hartl Music.‘Horses: The Story of Equus’
Composer Roger Mason. Engineered by Christo Curtis. Contracted by Hartl Music.‘Magic Pudding’
Composer Chris Harriott. Conductor Christopher Gordon. Orchestrations by Christopher Gordon and Nerida Tyson-Chew. Engineered by Richard Lush. Contracted by Hartl Music.Event production credits
‘Walking with Dinosaurs’- Mixing
Composer James Brett. Engineered by Peter Cobin.‘The Boy from Oz’
Producer Phil Ramone, Engineered by Richard Lush. Contracted by Hartl Music.TV Credits
‘Olympics Theme 2000’
Composer Chong Lim. Engineered by Richard Lush. Contracted by Hartl Music.‘Winter Olympics 2002’
Composer Burkhard Dallwitz. Engineered by Christo Curtis. Contracted by Hartl Music.Brian Brown’s
Brian Brown's ‘Two Twisted’
Composer Nerida Tyson-Chew. Engineered by Daniel Leffler. Contracted by Hartl Music.‘Counterstrike’
Composers Garry McDonald and Laurie Stone. Engineered by Christo Curtis. Contracted by Hartl Music.‘On the Beach’
Composed by Christopher Gordon. Engineered by Christo Curtis. Contracted by Hartl Music.‘South Pacific’
Producer Michael Gore. Contracted by Hartl Music.‘When Good Gouls Go Bad’
Composer Christopher Gordon. Engineered by Christo Curtis. Contracted by Hartl Music.‘Much Ado About Something’
Composer Christopher Gordon. Contracted by Hartl Music.IMAX credits
‘Equus’
Composer Roger Mason. Engineered by Christo Curtis. Contracted by Hartl Music.CD Credits
Silverchair
‘Diorama’ album orchestral recordings. Engineered by Anton Hagop. Produced by David Botrill. Contracted by Hartl Music.Film Industry Government Incentives
FEDERAL INCENTIVE: NOW 15%
Australia's Federal and State/Territory Governments offer a range of incentives to overseas originated screen content to produce and/or conduct Post, Digital and VFX production (PDV) in Australia. Recording and mixing music for film and television in Australia has never been more affordable.
For more details on the Australian Screen Production Incentive offset, visit: